Where the industrial revolution meets the impending apocalypse, with a little bit of Rococo flair thrown in, that’s where you’ll find the endlessly embellished sculptures of Kris Kuksi. The artist warps used trinkets and tchotchkes, transforming them into fantastical machines, at once mechanical and supernatural, futuristic and primordial, horrific and stunning.

Kuksi himself helped us out with a categorization. “‘Melancholic sculptures describing the vices of man and celebrating beauty in the grotesque’ is a fairly close way to characterize my works,” he explained to The Huffington Post. “Or, Baroque infused 3D miniature surreal compositions with a splash of dark humor.”
Born and raised in Springfield, Missouri, Kuksi attributes much of his blossoming imagination to his rural upbringing. “Having always drawn pictures and built things as a young child I’m not sure if I recall a particular time that I was interested in art, it was just always there. Growing up in isolated rural settings with no cable television probably had a lot to do with a need to entertain yourself as a child by being creative. Of course legos and model airplanes helped with my spacial and mechanical reasoning but in college I was a very serious painter and only took sculpture as a minor.”

For his artistic materials, Kuksi uses a variety of hodgepodge items, everything from “model kits’ parts to kitschy statuary, decorative trim moldings to gaudy jewelry, wedding cake accessories
Article source: http://www.huffingtonpost.com/2014/12/16/kris-kuksi_n_6330794.html?utm_hp_ref=arts
No price was disclosed for the purchase, but it is known that Tital had revenue of $96 million last year.