Rob Rez’s corner inside Bound by Glory Tattoo is decorated with deer skulls, a bandolier stuffed with bullets and rows of tattoo designs detailed in lush colors. His World War II-style model airplanes hang from the ceiling, and bottles of rubbing alcohol line a bookshelf full of National Geographic magazines dating back to the 1950s. “They’re great reference material,” Rez says of the magazines. Like any longtime tattoo artist, he has a thick portfolio of commissioned work—pages of skulls, birds and pinup girls rendered in black and white or color. He loves tattooing, he says, but at night, after a full day of crafting images from other people’s imaginations, he likes to pull out his paints and let his own ideas pour onto the canvas.
“Tattooing is so rigid and pre-planned,” Rez says. “It has a structured outline and then you fill in your colors precisely. When I do these paintings, these are more like sketches on canvas. It’s not really the best phrase in the world but I call them ‘slappers’ because I’m just slapping the paint down in a fun way. I just let go and do it.”
Rez has worked as an artist in multiple capacities for several decades, but it’s only been in the last two years that he started regularly making paintings. He began with geometric designs—Cubism-style pieces that play with color and abstracted subjects. After that he moved on to more figurative images of flora and fauna: insects, crocodiles, flowers and snakes. He did a whole
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