“We’re Only Alive for a Short Amount of Time” — ★ ★ ★ ★
Journalists once chased David Cale through the streets of the English town of Luton. But it took decades before the gay playwright and performer could fully share his shocking story in “We’re Only Alive for a Short Amount of Time,” a solo musical memoir now receiving an engrossing world premiere at Chicago’s Goodman Theatre.
To reveal exactly what happened would spoil Cale’s brave performance in “We’re Only Alive.” Plus, it’s not the entire focus of this deeply affecting collaboration with Goodman artistic director Robert Falls and composer/music director Matthew Dean Marsh.
Throughout the insightful “We’re Only Alive,” Cale regales his audience with tales about his fraught family life in Luton, an industrial town with a reputation for being the butt of jokes.
Caught in the crossfire of sparring parents, Cale and his younger brother, Simon, coped by obsessively and dreamily throwing themselves into hobbies. Simon built and painted model airplanes, while David amassed a menagerie of tropical birds for a backyard aviary and “animal hospital.”
Cale’s time and distance from his youth, however, have given him empathy and insight into his parents’ struggles, as well as the damage inflicted by his controlling grandparents. Large swathes of “We’re Only Alive” feature Cale channeling and performing as his parents.
He drops hints early on as to
Article source: https://www.dailyherald.com/entlife/20180926/david-cales-shocking-family-history-underscores-affecting-were-only-alive-at-goodman
